Victoria Yakubova Schneid
Film director

In this strange world of today, where money-making prevails over art, meeting a person endowed with a generous, truly artistic spirit, in search of poetry and loyalty, is a real treasure.
When I was shooting my first feature film, “Olma Djon”, I had the chance to meet some of these rare people and one of them was my very dear and very precious friend Arnaud Frilley.
When I told him about my idea to make my film, without asking for anything, he immediately opened his big heart to me and provided such a gracious and precious help.
The cooperation between our company and B-TWEEN unfolded in a way I could wish all filmmakers : it unfolded in a precise, professional and generous manner.
I felt in Arnaud an irresistible desire to create a real piece of art with us. We were working together towards a common goal and we reached it.
The film “Olma Djon” has become what it is now and i touched so many hearts around the world, in large part thanks to B-TWEEN, this wonderful team that gave us all their talent and enthusiasm without counting. I have learned a lot from Arnaud and his partners. I really hope, from the bottom of my heart, that our fruitful cooperation will continue as long as possible. I share numerous awards won by “Olma Djon” around the world with Arnaud Frilley and all the B-TWEEN team and I cannot thank them enough.


Thank you. Spasibo, dear Arnaud.

Mikhail Kosyrev-Nesterov
Film director, producer

The script of “GRAND CANCAN” scenes shot in Brittany was only about 10 pages long, but these scenes were of key importance for the film. B-TWEEN perfectly organized 3 shooting days in Perros-Guirec. They had prepared all the filming locations in advance and assembled the perfect film crew: lighting technicians, technical specialists, production managers, assistants and others. The shooting days were very busy, and we have very fond memories of them.

Best wishes,
Mikhail Kosyrev-Nesterov